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The One I Love Belongs to Somebody Else. Guitar sheet music. B-Flat Trumpet sheet music. Drums sheet music. Percussion sheet music. Piano sheet music. Trombone sheet music. Advanced.

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The One I Love Belongs to Somebody Else. Gitár kották. B-dúr trombita kotta. Drums kotta. Percussion kotta. Piano kotta. Harsona kotta. Fejlett.

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The One I Love Belongs to Somebody Else by The Jimmie Lunceford Big Band. Edited by Jeffrey Sultanof and Rob Duboff. Arranged by Tadd Dameron. For big band. 2 Alto Saxophones, 2 Tenor Saxophones, Baritone Saxophone, 3 Trumpets, 3 Trombones, Guitar, Piano, Bass, Drums. Written for the Jimmie Lunceford Orchestra. Swing. Medium Difficult. Score and parts. Published by Jazz Lines Publications. JL.JLP-8883. Tadd Dameron was one of the most influential composer. arrangers in American music. Born in 1917, he wrote for bands led by Jimmie Lunceford, Count Basie, Billy Eckstine. many original compositions later performed by the Dizzy Gillespie Orchestra were originally written for Eckstine. , Ted Heath and Tommy Dorsey. He also arranged for Sarah Vaughan, Pearl Bailey and the underrated Kay Penton. Dameron led various groups for live gigs and recordings, and the musicians he played with constituted a who's who of jazz. At one time or another his ensembles included Fats Navarro, Freddie Webster, Charlie Rouse, Kenny Clarke, Kai Winding, Wardell Gray, J.J. Johnson, Dexter Gordon, Miles Davis, Kenny Dorham, John Coltrane and Clifford Brown. This arrangement of the Isham Jones. Gus Kahn standard was most likely written in 1942 as at that time Tadd Dameron was writing for the Jimmie Lunceford Orchestra. The arrangement was never recorded, but, due to the wear on the parts, it was clearly performed live on numerous occasions. It is not entirely clear as to why the arrangement wasn't recorded, though it is possible that the reason is that it was written during the recording ban. The next time the Lunceford ensemble would be in the studio for a recording date wasn't until February 1944 - almost two years after this arrangement was most likely written. Dameron crafted a swinging, interesting take on the standard. The trombone section states the melody for the first chorus with nice ensemble hits and backgrounds. The arrangement moves through three key centers. G, Eb, and Gb. While there are no lengthy solos. tenor sax has a 4-bar cameo solo. , there is a great 1. 2 chorus saxophone soli. This arrangement should appeal to medium level groups as the ranges are modest. Ranges. Trumpet 1. to C6. Trombone 1.

Fordítás

The One I Love Belongs to Somebody Else by The Jimmie Lunceford Big Band. Szerkesztette: Jeffrey Sultanof és Rob Duboff. Által szervezett Tadd Dameron. A big band. 2. Alto szaxofon, 2 Tenor szaxofon, bariton szaxofon, 3 trombiták, 3 harsona, gitár, zongora, basszusgitár, dob. Written for the Jimmie Lunceford Orchestra. Hinta. Közepes Nehéz. Score és alkatrészek. Kiadja a Jazz Lines Publications. JL.JLP-8883. Tadd Dameron volt az egyik legbefolyásosabb zeneszerző. szervezői az amerikai zene. Született 1917-ben írt zenekarok által vezetett Jimmie Lunceford, Count Basie, Billy Eckstine. számos eredeti kompozíciók később végzett a Dizzy Gillespie Orchestra eredetileg írt Eckstine. , Ted Heath és Tommy Dorsey. Azt is elintézte, Sarah Vaughan, Pearl Bailey és az alulértékelt Kay Penton. Dameron vezetett különböző csoportok az élő koncertek és a felvételek, és a zenészek is játszott jelentett Ki kicsoda a jazz. Egy időben, vagy más az együttesek szerepelnek Fats Navarro, Freddie Webster, Charlie Rouse, Kenny Clarke, Kai Winding, Wardell Gray, JJ Johnson, Dexter Gordon, Miles Davis, Kenny Dorham, John Coltrane és Clifford Brown. This arrangement of the Isham Jones. Gus Kahn standard was most likely written in 1942 as at that time Tadd Dameron was writing for the Jimmie Lunceford Orchestra. The arrangement was never recorded, but, due to the wear on the parts, it was clearly performed live on numerous occasions. It is not entirely clear as to why the arrangement wasn't recorded, though it is possible that the reason is that it was written during the recording ban. The next time the Lunceford ensemble would be in the studio for a recording date wasn't until February 1944 - almost two years after this arrangement was most likely written. Dameron crafted a swinging, interesting take on the standard. The trombone section states the melody for the first chorus with nice ensemble hits and backgrounds. The arrangement moves through three key centers. G, Eb, and Gb. While there are no lengthy solos. tenor sax has a 4-bar cameo solo. , there is a great 1. 2 chorus saxophone soli. This arrangement should appeal to medium level groups as the ranges are modest. Tartományok. Trombita 1. a C6. Harsona 1.